介绍：基里尔，一个身患绝症的外科医生，在一个医生与超自然现象斗争的诊所找到一份工作。生存的唯一途径是证明自己，并说服新的管理层相信医院需要他。西里尔沉浸在人类、女巫和恶魔的错综复杂的关系中，越来越怀疑自己是否能正确识别这里到底谁代表善，谁代表恶。诊断是不完善的，敌人可能会变成最初看起来不是这样的人。为了避免这样的错误，西里尔和他的同事们将不得不花大量时间研究病人的病情情况。UNLI

介绍：Queen Latifah主演，设定类似电影和老的剧版，只是从邻家叔叔变邻家大姐，讲述一个有神秘过去、身手不凡的人物大隐隐于市，帮助无辜而无助的平民们，而CIA等也会重新在她的人生中出现《灵书妙探》夫妻搭档Andrew Marlowe和Terri Miller任该剧运作人和编剧，克里斯·诺斯等也出演。

介绍：1988年，前苏联卡尔梅克。儿童医院的年轻医生KirsanAyushev怀疑他的几个病人感染了HIV。年长的同事并不相信，所以基尔桑偷偷把样本送到了莫斯科。当化验结果证实他是对的时，科学家DmitryGoncharov，一位在苏联鲜为人知的“外来”疾病专家加入了这个案子。于是，数十名儿童和几名成人——甚至可能是整个国家的命运，掌握在首都流行病学家和省级儿科医生的手里

介绍：轰趴狂嗨电音摇头，听来不过是轻狂少年消磨时光的常见公式，拆解后却是伤痕累累的真实情感酸，是识透愁滋味的废青宣言，是不顾一切的自毁前程。他们没有不变友情、甜蜜家庭、纯洁初夜、美好未来；他们被正能量好好地隔绝在另一个世界。游离在不见天日的迷幻现实之中，他们吞噬青春，用最狂暴的方式敲开虚假，洞见千禧新世代的生命曙光。本片是初执导筒的俄国男星亚历山大葛奇林（Aleksandr Gorchilin）长片首作。挑衅满满的镜头语言，爆发独有的生猛力道，光荣入围柏林影展泰迪熊奖！

介绍：Believe me, you have been waiting for a film like this to be on the PÖFF Competition Programme for a long time. And even more so from Russia. And what a title. A slasher akin to an electric shock, the straightforward and boldfaced B-film aesthetics of which could well make the big name of this genre, Quention Tarantno himself, green with envy. This is a ‘hammer straight on the head between the eyes’ brutal bloodbath in which 29-year-old director Kirill Sokolov does not hold back in anything. And quite rightly so, why should he?　　The film takes place practically within one dwelling and starts as any other ‘normal’ film. At the request of his girlfriend, a young man turns up at the doorstep of her father one night. The girl asks him to kill her father, but her motives remain unclear. What happens next in this satirical comedy, you will have to find out at the cinema.　　The film unrolls into a spectacle characteristic of a proper splatter, something similar to the midnight hit of the previous PÖFF, “Revenge”, where the viewers are proverbially doused in buckets of blood and gore to which there seems to be no end. And it’s not disgusting – it’s bloody funny! However, jokes aside, “Why Don’t You Just Die” is actually a lot more than antics and escapades. Parallels can for instance be drawn to Zvyagintsev’s “Loveless”, albeit in a different key.　　The Best Film Award from the Vyborg Film Festival may well have caused mumbles of envy at the award ceremony, but Sokolov – considered to be the successor of Aleksey Balabanov (Brother) – was the right man in the right place. In the light of Sokolov’s great ambitions, he will not be coming to PÖFF for anything less than the main award of the Debut Competition Programme. Who could argue against it?　　Helmut Jänes