介绍：这个假期将证明是令人难忘的，因为 Victor 的最新作品栩栩如生，颠覆并启发他了解爱、友谊和家庭的真正含义

介绍：Diana Vreeland (1903-89) was the twentieth century’s greatest arbiter of , an exotic and vibrant character who, during her fifty-year reign as the “Empress of Fashion,“ dazzled the world with her unique vision of high and low. She was the most important oracle of fashion inviting us to join her on a voyage of perpetual reinvention and take part in the adventure of life. Through her trained and diligent eye, she opened the door of our minds and gave us the freedom to imagine. Her images and accomplishments are as fresh and relevant now as they were then, and her spirit is just a vibrant and relevant today. As Jackie Onassis once put it: “To say Diana Vreeland has dealt only with fashion trivializes what she has done. She has commented on the times in a wise and witty manner. She has lived a life.“

介绍：19岁的安德列住在巴西的Porto Alegre，他的职业是复印机操作员他喜欢用望远镜偷看邻居希尔维娅。希尔维娅是卖衣服的。自从安德列迷上她之后，便想方设法接近她，经常到她商店买东西，却买不起那里的东西。于是，他将复印机另作他用，开始构想一些不大可能的计划来赚点钱……

介绍：由Fernando Solanas监制并任摄影和剪辑，找来自己当年的老搭挡Octavio Getino和一群“解放电影小组”的成员，个个都是阿根廷新浪潮里的革命派人物，拍摄了这部长达210分钟共12章节的黑白纪录片，真实记录下1969年5月29日阿根廷人民走上科尔多巴市的街头反抗翁加尼亚（Ongania）军事专政的场景，阿根廷反抗独裁争取自由之路由此开始“解放电影小组”（Grupo Cine Liberación）由Solanas和Octavio Getino、Gerardo Vallejo三人组建，吸收了一批当时优秀的新浪潮导演，以拍摄纪录片为主，虽然其成员各自的政治信仰不尽相同，有些信仰马克思主义，有些则推崇贝隆主义，但对独裁专治的共同憎恶使他们走到了一起。而“解放电影小组”也与阿根廷左翼先锋导演Raymundo Gleyzer的“Cine de la Base”、古巴ICAIC的革命电影、巴西新浪潮、及玻利维亚的Jorge Sanjines共同奠定了拉美第三世界电影运动的基础。本片是继《燃火的时刻》后拉美影史上又一部重要的政治纪录片，在71年柏林电影节上全体创作人员共同获得了FIPRESCI奖。